The melding of two general timbres, two stereotypical styles (winds faster and with more notes, and choir with longer, slower lines), and an offset ostinato creates a very unique piece of music. Ola Gjeilo is a rising star in modern choral music and has already established a stellar reputation for original and creative work. Because the choir is so often radically different, these moments of calm that use the themes of the choir connect the two groups together more convincingly.
Here, the winds join the choir in longer, slower melodies, often taking the exact melody the choir just had. The middle sections are much less hectic and, like Strange Humors, provide moments of calm that revive the listener, making the fast and complex sections even more interesting and special. The end effect of a combination of complexities is a very intense and aurally stimulating piece of music. The upper winds often have the main melody, the lower winds have harmony and ostinato, piano has arpeggiated (or block) chords, and the choir has overarching melodies. Meridian is a relatively complicated piece, with multiple themes going on at once in many places. Eric Wilson along with the composer, this version for wind band maintains all the wonder and magic of the original work.
Similar to his earlier band works Meridian and The Spheres, Serenity is based on a successful choral work. The piece introduces a relatively rare type of groove to classical music in this 7/8, 6/4, etc. Norwegian composer Ola Gjeilo is an emerging star in the realm of choral works, and also with music for wind band. Because the beats are not always even, the same ostinato pattern remains for lengths of music at a time before switching, so as to keep a recognizable groove. Rarely is it in an even meter, and even when it is, the ostinato is never even, always with an extra beat thrown in (often the meter is ⅞, or some other odd numbered beat). The piece is significantly based on ostinato, and there is nearly always a groove going, no matter what time signature the piece is in. Other diverse influences include the World Music-infused jazz of Keith Jarrett and Jan Garbarek, as well as the symphonies of. Meridian comes very much out of the composers love for ostinato, or groove-based, music.
#Meridian ola gjeilo full#
Both the choir and piano are additions to the wind ensemble, but are neither accompaniment, nor soloists, instead, just creating a more diverse ensemble. Series: Windependence Master Level Publisher: Boosey & Hawkes Format: Softcover Full Score Composer: Ola Gjeilo. The choir is optional, since all parts are also played in the winds, but it adds a depth not found in typical wind ensembles. Specific words are hard to hear, and are in another language, but the word “Meridian” remains throughout the piece. brass and percussion) share the rhythmic and quick material, while the choir often has longer lines, either singing chords to accompany the winds, or sing a long, slow melody overtop. Meridian is a piece written for piano, wind ensemble, and choir.
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